Conceptualizing music : cognitive structure, theory, and analysis

Lawrence M. Zbikowski

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of conceptual models - and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

「Nielsen BookData」より

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes, categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or a vocational interest in the application of work in cognitive science to humanistic principles.

「Nielsen BookData」より

[目次]

  • Introduction: Conceptualizing Music
  • PART 1
  • 1. Categorization
  • 2. Cross-Domain Mapping
  • 3. Conceptual Models and Theories
  • PART 2
  • 4. Categorization, Compositional Strategy and Musical Syntax
  • 5. Cultural Knowledge and Musical Ontology
  • 6. Words, Music, and Song: The Nineteenth Century Lied
  • 7. Competing Models of Music: Theories of Musical Form and Hierarchy
  • Conclusion: Cognitive Structure, Theory, and Analysis

「Nielsen BookData」より

[目次]

  • Introduction: Conceptualizing Music. Part 1: Categorization
  • Cross-Domain Mapping
  • Conceptual Models and Theories. Part 2: Categorization, Compositional Strategy and Musical Syntax
  • Cultural Knowledge and Musical Ontology
  • Words, Music and Song: The 19th-Century Lied
  • Competing Models of Music - Theories of Musical Form and Hierarchy. Conclusion: Cognitive Structure, Theory and Analysis.

「Nielsen BookData」より

この本の情報

書名 Conceptualizing music : cognitive structure, theory, and analysis
著作者等 Zbikowski, Lawrence Michael
Zbikowski Lawrence M.
シリーズ名 AMS studies in music
出版元 Oxford University Press
刊行年月 2002
版表示 New ed
ページ数 xiv, 360 p.
大きさ 25 cm
ISBN 0195140230
9780195187977
NCID BA6188457X
※クリックでCiNii Booksを表示
言語 英語
出版国 イギリス
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