Unmaking mimesis : essays on feminism and theater

Elin Diamond

In Unmaking Mimesis Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. She combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by writers as diverse as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw. Through a series of provocative readings of theatre, theory and feminist performance she demonstrates the continuing force of feminism and mimesis in critical thinking today. Unmaking Mimesis will interest theatre scholars and performance and cultural theorists, for all of whom issues of text, representation and embodiment are of compelling concern.

「Nielsen BookData」より

In Unmaking Mimesis Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. She combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by writers as diverse as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw. Through a series of provocative readings of theatre, theory and feminist performance she demonstrates the continuing force of feminism and mimesis in critical thinking today. Unmaking Mimesis will interest theatre scholars and performance and cultural theorists, for all of whom issues of text, representation and embodiment are of compelling concern.

「Nielsen BookData」より

[目次]

  • Part One Unmaking Mimesis: 1. Introduction 2. Realism Hysteria: Disruption in the Theater of Knowledge i) Doleful Referents ii) Fallen Women: Medical Melodrama iii) Translation and the Hypnoid State iv) Realism's Hysteria v) Hysteria's Realism Part Two Gestic Feminist Criticism: 3. Brechtian Theory/Feminist Theory 4. Gestus, Signature, Body in the Theater of Aphra Behn i) The Apparatus ii) The Wife Thing iii) Disguise and Desire iv) Passionate Address/Gestric Undress v) Allegories of Authority 5. Churchill's Plays: The Gestus of Invisibility 6. Mimesis and Identification: Kennedy's Theater i) Funnyhouse of a Negro, The Owl Answers ii) Movie Star iii) Alexander Plays iv) People Who Led to My Plays 7. Performance and Temporality: Feminist Performance Art

「Nielsen BookData」より

[目次]

  • Part One Unmaking Mimesis: 1. Introduction 2. Realism Hysteria: Disruption in the Theater of Knowledge i) Doleful Referents ii) Fallen Women: Medical Melodrama iii) Translation and the Hypnoid State iv) Realism's Hysteria v) Hysteria's Realism Part Two Gestic Feminist Criticism: 3. Brechtian Theory/Feminist Theory 4. Gestus, Signature, Body in the Theater of Aphra Behn i) The Apparatus ii) The Wife Thing iii) Disguise and Desire iv) Passionate Address/Gestric Undress v) Allegories of Authority 5. Churchill's Plays: The Gestus of Invisibility 6. Mimesis and Identification: Kennedy's Theater i) Funnyhouse of a Negro, The Owl Answers ii) Movie Star iii) Alexander Plays iv) People Who Led to My Plays 7. Performance and Temporality: Feminist Performance Art

「Nielsen BookData」より

この本の情報

書名 Unmaking mimesis : essays on feminism and theater
著作者等 Diamond, Elin
出版元 Routledge
刊行年月 1997
ページ数 xvi, 226 p.
大きさ 24 cm
ISBN 0415012295
0415012287
NCID BA31308525
※クリックでCiNii Booksを表示
言語 英語
出版国 イギリス
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