The Cambridge companion to Shakespearean comedy

edited by Alexander Leggatt

First published in 2001, this is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice and the creative use he made of the conventions he inherited. The first section puts Shakespeare in the context of classical and Renaissance comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number of themes through Shakespeare's early and middle comedies, dark comedies and late romances, establishing the key features of his comedy as a whole and illuminating particular plays by close analysis. Individual chapters draw on contemporary politics, rhetoric, and the history of Shakespeare production. Written by experts in the relevant fields, the chapters frequently challenge long-standing critical assumptions.

「Nielsen BookData」より

First published in 2001, this is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice and the creative use he made of the conventions he inherited. The first section puts Shakespeare in the context of classical and Renaissance comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number of themes through Shakespeare's early and middle comedies, dark comedies and late romances, establishing the key features of his comedy as a whole and illuminating particular plays by close analysis. Individual chapters draw on contemporary politics, rhetoric, and the history of Shakespeare production. Written by experts in the relevant fields, the chapters frequently challenge long-standing critical assumptions.

「Nielsen BookData」より

[目次]

  • Preface
  • Chronology
  • Part I. Shakespeare and Comic Tradition: 1. Theories of comedy David Galbraith
  • 2. Roman comedy Robert S. Miola
  • 3. Italian stories on the stage Louis George Clubb
  • 4. Elizabethan comedy Janette Dillon
  • 5. Popular festivity Francois Laroque
  • Part II. Shakespearean Comedy: 6. Forms of confusion John Creaser
  • 7. Love and courtship Catherine Bates
  • 8. Laughing at 'others' Edward Berry
  • 9. Comedy and sex Alexander Leggatt
  • 10. Language and comedy Lynne Magnusson
  • 11. Sexual disguise and the theatre of gender Barbara Hodgdon
  • 12. Matters of state Anthony Miller
  • 13. The experiment of romance Michael O'Connell
  • Select bibliography.

「Nielsen BookData」より

[目次]

  • Preface
  • Chronology
  • Part I. Shakespeare and Comic Tradition: 1. Theories of comedy David Galbraith
  • 2. Roman comedy Robert S. Miola
  • 3. Italian stories on the stage Louis George Clubb
  • 4. Elizabethan comedy Janette Dillon
  • 5. Popular festivity Francois Laroque
  • Part II. Shakespearean Comedy: 6. Forms of confusion John Creaser
  • 7. Love and courtship Catherine Bates
  • 8. Laughing at 'others' Edward Berry
  • 9. Comedy and sex Alexander Leggatt
  • 10. Language and comedy Lynne Magnusson
  • 11. Sexual disguise and the theatre of gender Barbara Hodgdon
  • 12. Matters of state Anthony Miller
  • 13. The experiment of romance Michael O'Connell
  • Select bibliography.

「Nielsen BookData」より

この本の情報

書名 The Cambridge companion to Shakespearean comedy
著作者等 Leggatt, Alexander
シリーズ名 Cambridge companions to literature
出版元 Cambridge University Press
刊行年月 2002
ページ数 xviii, 237 p.
大きさ 23 cm
ISBN 0521770440
9780521779425
NCID BA54365776
※クリックでCiNii Booksを表示
言語 英語
出版国 イギリス
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