Listening in Paris : a cultural history

James H. Johnson

Beginning with the simple question, 'Why did audiences grow silent?' "Listening in Paris" gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sources - novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like - Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.

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この本の情報

書名 Listening in Paris : a cultural history
著作者等 Johnson, James H.
シリーズ名 Studies on the history of society and culture
出版元 University of California Press
刊行年月 c1995
ページ数 xvi, 384 p.
大きさ 24 cm
ISBN 0520206487
0520085647
NCID BA24368913
※クリックでCiNii Booksを表示
言語 英語
出版国 アメリカ合衆国
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